This book is an appealing beginning to a new cozy mystery series set in the Scottish Highlands. Librarian Janet, her daughter Tallie, and two of their friends buy a bookshop in Inversgail with plans to open a tearoom next door and a B & B upstairs. Making a quick visit to Janet’s house to see why her move has been delayed, Christine finds the kitchen full of trash while Summer, a reporter, finds a dead body in the garden shed. Later they find a biscuit tin full of threatening letters at the bookshop, which were probably written by the victim, advice columnist Una Graham. I found the four women a bit difficult to tell apart at first, but it was interesting having four amateur sleuths working together on the same case. There are plenty of descriptions of learning to run a bookshop, remodel a tearoom, and plenty of local colour, although sadly no scone recipes. A good start to the Highland Bookshop series, with some room for improvement.
The island of St. Thomas in the 19th century makes a vivid setting for a biographical novel about Impressionist painter Camille Pissarro and his parents. Rachel roams around the island with Jestine, the daughter of her family’s cook, Adelle, and only reluctantly agrees to marry Isaac Petit, an older Jewish merchant with three children. She loves his children and their own, but does not love Isaac. After Isaac’s death, his nephew Frederic travels from Paris to run the family business. Rachel and Frederic fall scandalously in love. Camille is one of their children, whose fascination with color and island life distract him from his work at the family’s store. Surprisingly, Rachel coldly discourages his artistic talent, although Camille gets the encouragement he needs from Rachel’s friend Jestine. Several of the characters spend time in Paris, also colorfully drawn. A very strong sense of place, lively dialogue, complex characters, and a touch of magical realism make this book an enchanting read.
Microhistories: History on a Small Scale
These are a few of the recent books with a narrow focus on a single subject, event, or place. I’m reading Paper, enjoyed Consider the Fork, The End of Night, and have Butter on my list of books to read. These titles and many more are on display this month at the Woodridge Public Library. Enjoy!
Bogard, Paul. The End of Night: Searching for Natural Darkness in an Age of Artificial Light, 2013.
Brox, Jane. Brilliant: The Evolution of Artificial Light, 2010.
Donovan, Tristan. Fizz: How Soda Shook Up the World, 2014. Eckstut, Joann. The Secret Language of Color, 2013.
Foy, Simon. Zero Decibels: The Quest for Absolute Silence, 2010.
Garfield, Simon. Just My Type: A Book about Fonts, 2011.
Hucklebridge, Dane. The United States Of Beer : A Freewheeling History Of The All-American Drink, 2016.
Kawash, Samira. Candy: A Century of Panic, 2013.
Kosrova, Elaine. Butter: A Rich History, 2016.
Kurlansky, Mark. Paper: Paging Through History, 2016.
Lukacs, Paul. Inventing Wine: A New History of One of the World’s Ancient Pleasures, 2012.
Metcalf, Allan. OK: The Improbable Story of America’s Greatest Word, 2011.
Roach, Mary. Gulp: Adventures on the Alimentary Canal, 2013.
Shaffer, Marjorie. Pepper: A History of the World’s Most Influential Spice, 2013.
Wilson, Bee. Consider the Fork: A History of How We Cook and Eat, 2012.
British Library Crime Classics
Recently I’ve read three of the British Library Crime Classics, mysteries originally published in 1935 and 1936. The series is described as “forgotten classics from the golden age of British crime writing”. 18 titles so far have recently been published in the U.S. by Poisoned Pen Press. I think that the books I’ve read will have broad appeal today.
The Cornish Coast Murders, by John Bude, is set in a small village on the coast of Cornwall. The mystery is discussed and partly solved during fireside chats in Reverend Dodd’s study, where he meets with the local doctor and Inspector Bigswell. When a local magistrate is apparently shot through a picture window, there are very few clues, suspects, or motives.
Death in the Tunnel, by Miles Burton, involves the death of a wealthy semi-retired businessman while alone in a locked train compartment, in a railway tunnel. There is no obvious motive for murder or suicide. The mystery is solved by the combination of careful detective work by Inspector Arnold and other, unnamed police officers, and the imaginative ideas of of Arnold’s friend, amateur criminologist Desmond Merrion.
Death on the Cherwell, by Mavis Doriel Hay, is set at a woman’s college at Oxford University. An unpopular member of the college staff is found dead in a canoe on a cold January afternoon by several of the students, who proceed to help police investigate the death.
The settings of these novels are charming to a modern reader, the intricate plotting is first-rate, the violence level is low, and the writing is compelling and richly detailed, making for quite a pleasant reading experience.
After a minor medical procedure intended to make Briddey Flannigan and her boyfriend Trent able to sense each other’s emotions, Briddey hears a man’s voice, and panics. She’s hearing the thoughts of C.B. Schwartz, a nerdy coworker at Commspan. C.B. tries to convince Briddey that she’s now telepathic, and that no one else must know. Trent wants help to develop a new phone app, while Briddey just wants some peace and quiet, unlikely given her overly intrusive Irish-American family and gossipy coworkers. Briddey’s young niece Maeve gets involved as C.B. teaches Briddey how to quiet her mind before Trent and their doctor find out what really happened. Fans of slapstick romantic comedy will enjoy this fast-paced romp, which skewers our society’s dependence on digital technology and avoidance of self-reflection and true intimacy. The author nicely contrasts internet dating sites with the simple pleasures of reading in a library surrounded by others, or taking a walk late at night.
Unreliable Narrators in Fiction
If you’re looking for more fast-paced suspense novels that are readalikes for The Girl on the Train or Gone Girl, then check out these books:
Barton, Fiona. The Widow
Carter, Ally. All Fall Down
Chapman, Emma. How to Be a Good Wife
Crawford, Susan. The Pocket Wife
Donoghue, Emma. Room
Ellison, J. T. No One Knows
Hannah, Sophie. A Game for All the Family
Harrison, A.S.A. The Silent Wife
Healey, Emma. Elizabeth is Missing
Hogan, Phil. A Pleasure and a Calling
Kubica, Mary. Good Girl
Lapena, Shari. The Couple Next Door
LaPlante, Alice. Turn of Mind
Larbalestier, Justine. Liar
Little, Elizabeth. Dear Daughter
Lockhart, E. We Were Liars
Lutz, Lisa. The Passenger
Mackintosh, Clare. I Let You Go
Marwood, Alex. Wicked Girls
Moriarty, Liane. Big Little Lies
Morrow, Bradford. The Forgers
Oliva, Alexandra. The Last One
Paris, B.A. Behind Closed Doors
Rindell, Suzanne. The Other Typist
Walker, Wendy. All is Not Forgotten
Ware, Ruth. The Woman in Cabin 10
Waters, M. D. Archetype
Watson. S. J. Before I Go to Sleep
I was charmed by this short and funny memoir by a copy editor at The New Yorker. Between explaining the eccentricities of spelling and grammar at The New Yorker and a chapter titled “Ballad of a Pencil Junkie”, Norris entertains and educates. Gender in the English language, how to decide if commas in a sentence should stay, and an enlightening look at the history of compound words which may or may not be separated by a hyphen are a few of the topics covered. Anyone who has groaned at the sight of a sign boldly stating: “Buckle Up! Its the Law” will likely enjoy Norris’ personal and literary anecdotes; I certainly did.