Lisette’s List by Susan Vreeland
This is another good choice for book discussion groups from Vreeland, author of Luncheon of the Boating Party and Clara and Mr. Tiffany. Set in Provence and Paris from the late 1930s to the late 1940s, Parisian Lisette has a rough transition to life in Provence with her husband Andre and his grandfather Pascal. Andre is a frame maker, and Lisette had hoped to work in an art gallery in Paris. Gradually, Lisette learns to appreciate the village of Roussillon and the beauty of the countryside. Elderly Pascal tells Lisette stories of the paintings he has collected and how he acquired them, and of meeting Camille Pissarro and Paul Cezanne. As a young man, Pascal had mined ochre used for pigments in the paintings. When the war begins, the paintings are hidden. Lisette learns to garden and milk a goat, and meets contemporary painter Marc Chagall. Visit the author’s website for gorgeous photos of Roussillon.
The Bookman’s Tale by Charlie Lovett
Romance, mystery, history, Victorian art, and rare books combine to make for an engaging read. The setting moves from the 1980s and 1990s in North Carolina and England to the Victorian era and Elizabethan England. In 1995, rare book dealer Peter Byerly has retreated from North Carolina to an English cottage after the death of his wife Amanda. Finally visiting a bookstore, he is stunned to find a Victorian watercolor portrait tucked into a book about Shakespearean forgeries. The portrait looks just like his wife, who studied Victorian art. When Amanda’s books don’t identify the artist, he is referred to an art society meeting in London, where he meets book editor Liz Sutcliffe. The mystery of the portrait and its artist are somehow connected to an Elizabethan novel Pandosto by Robert Greene, the inspiration for Shakespeare’s play The Winter’s Tale. A copy of Pandosto with margin notes by Shakespeare and a list of people who owned the book could be proof that Shakespeare really wrote his plays; or it could be a forgery. The search puts Peter and Liz in jeopardy, while alternating chapters describe Peter and Amanda’s college years and the people who owned the copy of Pandosto. Peter’s joy in learning about rare books and his love for Amanda add depth to the story.
I Always Loved You by Robin Oliveira
If you enjoy reading about art or Paris, this book may be appealing. To begin with, I found the title a bit misleading. The main characters are Impressionist painters Mary Cassatt and Edgar Degas, and I was expecting a grand romance. Degas gives Mary painting advice, and they are friends from time to time, when he isn’t being excessively critical or rude. Occasionally they are more than friends, but mostly not. The author’s focus is on painting, the artists’ community in 19th century Paris, Paris itself, and the illnesses and vision problems of the characters. Berthe Morisot and her brother-in-law Édouard Manet have a shared past, and Mary’s parents and sister Lydia, subject of many of Mary’s paintings, are the other featured characters, especially after they move from Philadelphia to live with Mary in Paris. The summary of the last forty years of Mary Cassatt’s life and work and the lives of her family and colleagues at the end was too compressed, but overall the book really kept my interest.
The Art Forger by B.A. Shapiro
Painter Claire Roth was working on her master’s degree when her boyfriend Isaac got painter’s block. With a deadline looming, Claire painted a picture in Isaac’s style to inspire him. Predictably, when the painting is successful Isaac claims it as his own work. Three years later, Claire is a struggling artist, painting reproductions for an online art store. Then she is approached about copying a painting stolen from the Isabella Stewart Gardner in 1990, and has a chance at her own gallery showing. Claire suspects the Degas painting may be a forgery itself, and looks for a connection between Isabella and Degas. This novel is both a thriller and a romance, but art is the main focus. The morning book group will be reading this book in March, and I look forward to the discussion.
An Object of Beauty by Steve Martin
“Great paintings live on because they’re not quite explicable.” says Steve Martin. In “An Object of Beauty” , Steve Martin puts his considerable knowledge of the art world in full display. This novel is part fictional memoir, and part primer on the business of fine art collecting. It takes place in New York City and covers a period from about 1997 through 2008.
The novel is narrated by Daniel Franks, a writer for art world publications but who is really a stand in for Martin. The main character is Lacey Yeager, who is young, ambitious, gorgeous, quick witted and morally suspect. We follow her from art school to an internship at Sotheby’s, to working for a private art dealer to opening her own art gallery. Lacey is a master manipulator of men. She has Daniel Franks in her thrall throughout the book. Lacey sleeps with every man she meets, except Franks. She commits fraud for personal monetary gain, spies on competitors, and makes the big time.
The art market is booming along with the housing bubble in the early 2000s with money coming in from Russia and China. But as they say what goes up must come down as her career slides in the collapse of Wall Street and the subsequent drying up of the big money. As Martin states: “Art as an aesthetic principle was supported by thousands of years of discernment and psychic rewards, but art as a commodity was held up by air. The loss of confidence that affected banks and financial instruments was now affecting art as well.”
As we go through the book the works of art that Martin is talking about are displayed in full color inserts so that we can better appreciate them.
Steve Martin is an American actor, comedian, author, playwright, producer, musician and composer, and an avid art collector. I knew he was funny but had no idea he was such a good writer. I thoroughly enjoyed this book.
A History of the World in 100 Objects, by Neil MacGregor
If you’ve ever wanted to visit the British Museum but couldn’t afford the airfare, now you don’t have too. Neil Macgregor, Director of the British Museum brings it to you in his new book.
Here are 100 carefully selected objects that represent the sum total of the progress of Humanity. All the major civilizations of the world are represented here, including Meso America (Olmec, Maya, Aztec) ; South America (Paracas, Moshe, Inca); Europe (Celts, Minoans, Athenians, Romans, Byzantium, Ottoman-Turks); the Tigris-Euphrates river valley(Sumerians, Assyrians, Lydians, Persians); Egypt and Nile delta (Ancient Egyptians); Africa (Kushites, Oba, Kilwa, Ife); Indus Valley (Gupta, Orissan, Mughal); and China (Zhou, Confucian, Han, Tang, and Ming Dynasties, Mongolia, Timurid Empire, Quig Dynasty). All of the objects are either works of art or tools that look like works of art. Some are very well known like the Rosetta Stone, Ming Vases, Beowulf’s Helmet, and The Easter Island Statues. All the world’s great religions are profiled including Buddhism, Confucianism, Judaism, Hinduism, Zoroastrianism, and Christianity.
In each of 100 short chapters, MacGregor writes a brief description and history of each object, which keeps the book from getting long and boring. Photographs of the objects are beautifully rendered against mostly black backgrounds. Also included is a brief paragraph from experts in their various fields such as Archaeology, Linguistics, Ancient Literature, etc.
Here is an example of one of the interesting things one could learn from this book. This passage refers to Marco Polo and his first encounter with now world famous Chinese Ceramics:
“One of the Startling things he had seen was Porcelain; indeed, the very word ‘porcelain’ comes to us from Marco Polo’s description of his travels in Qubilai Khan China. The Italian porcellana, little piglet, is a slang word for cowry shells, which do indeed look a little like curled-up piglets. And the only thing that Marco Polo could think of to give his readers an idea of the shell-like sheen of the hard, fine ceramics that he saw in China was a cowry shell, a porcellana. And so we’ve called it ‘little piglets’ porcelain, ever since –this is if we’re not just calling it ‘china’.
A book that is very worth your while.
The Lady in Gold, by Anne-Marie O’Connor
In June 2006, The Portrait of Adele Bloch-Bauer was sold at auction at Christie’s in New York for a record 135 million dollars. The buyer of the painting was Ron Lauder, who had coveted the gold portrait of Adele for years. He needed a destination painting for his new museum in New York City called the Neue Galerie. This painting had a lot of history behind it. He was willing to pay a lot of money for it. How this gorgeous painting was created, and how it came to the United States is the subject of a fascinating book by Anne-Marie O’ Connor.
The painter was Gustav Klimt, part of a new generation of artists in the early 1900s who refused to conform to convention and were instead in the vanguard of the nascent “Art for Art’s sake” movement. The subject of the painting was Adele Bloch-Bauer, a wealthy Jewish socialite, who was also ahead of her time, being an avid suffragist, chain smoker, and salon intellectual. There were also rumors that she and Gustav were lovers although nothing has been proven. Klimt produced several portraits of Adele and often used real gold leaf which added to the allure of his work. However at the time most everyone was disgusted by the overt eroticism of Klimt’s pieces and thus they did not enjoy wide popularity.
The painting resided happily on the walls of the Bloch-Bauer family’s Belvedere Estate in Vienna, until the Anschluss (March 1938) when Hitler insisted that Germany and Austria be united under the Third Reich. Jews and Jewish property were fair game for the Nazis. They stole vast art collections from all the countries of Europe, but Klimt’s works were spared because “Der Fuhrer” considered modern art to be degenerate and unwholesome. However the painting was expropriated by Viennese nationals, who were not Nazis but had no love for the Jews. The name of the painting was changed to “The Lady in Gold” so as to eradicate any connection to its Jewish owners. It survived the war and ended up in a national museum.
During the last decades of the twentieth century, modern art gained in popularity and value. Most of the Viennese Jews had perished in the holocaust, but some claimants came forward and demanded restitution for their stolen property. Litigation went on for years but finally the painting was restored to its rightful owners, the heirs of Adele and her family.
“in Vienna, the impact of the Bloch-Bauer restitution rippled out of ministries and courtrooms and into cafes and dinner parties. “It was our Austrian ‘Mona Lisa’ ” lamented Werner Furnsinn, the director of the Austrian Culture Ministry’s Commission for Provenance Research.
If you like modern art and history, then this book will be perfect for you.